由国家广播电视总局策划部署、福建省广播电视局指导的大型理论实践探访节目《思想的田野》福建篇——思想号大篷车从福州始发，福建籍歌手叶一茜、福建农林大学教授刘飞翔、伦敦奥运会举重冠军林清峰、东南卫视主持人谢霜以及两位特邀“歪果仁”嘉宾组成的探访团奔赴闽东寿宁下党乡，探寻乡村发展之美；前往千年历史文化名镇永泰县嵩口镇，感受古乡镇的变化与坚守；开赴闽西大山中的武平县，探寻林改后“不砍树也能致富”的可持续发展之路。

由国家广播电视总局策划部署、福建省广播电视局指导的大型理论实践探访节目《思想的田野》福建篇——思想号大篷车从福州始发，福建籍歌手叶一茜、福建农林大学教授刘飞翔、伦敦奥运会举重冠军林清峰、东南卫视主持人谢霜以及两位特邀“歪果仁”嘉宾组成的探访团奔赴闽东寿宁下党乡，探寻乡村发展之美；前往千年历史文化名镇永泰县嵩口镇，感受古乡镇的变化与坚守；开赴闽西大山中的武平县，探寻林改后“不砍树也能致富”的可持续发展之路。

A documentary that shows how we can advance humanity by unlocking the secrets of the mind. 　　When Tianqiao and Chrissy first announced that they were focusing their philanthropic efforts on brain science, they were flooded with questions about their choice. They decided to create a short video to address these questions and quickly realized that they had enough exciting content for at least one documentary. They decided to create something that would excite the public about recent advances and show just how close we are to a number of significant breakthroughs. They also wanted to create something could be used by scientists and researcher to make the case that more support is needed from government, philanthropists, businesses and the public if we are to unlock the secrets of the human brain.

8集电视理论片《思想的旅程》深情回顾过去十年党和国家发生的巨大变化，着重围绕党的十八大以来我国的变革性实践、突破性进展、标志性成果，阐释习近平新时代中国特色社会主义思想的原创性贡献。

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

该剧是一部描绘家族和结婚的笑中带泪的喜剧作品，香取在剧中饰演在文具制造公司工作的39岁单身男大介，对独身生活无任何不满，上野树里则饰演离过一次婚的32岁单身女熊谷，住在同一栋公寓的两人从见面起就争吵不段

当天分手，他和她各行各路。十四个寒暑之后，大家已忘了离别的过程。记忆，是如此不可靠；遗忘，保护了要守卫的心灵价值，但也为重塑和修补创造了条件。从旧侣的真实访问开始，彼此错摸的思絮掀动了层层叠叠的图像，记忆之浪随而翻起，同时催生下一波图像。冰湖、船坞、森林、美术馆⋯⋯地域此去彼来，留下的足迹掺杂矛盾的线索。翻开无言的诗篇，乃觉你中有我，我中有你。遗忘并非记忆的对立，而是相反，没有遗忘的记忆，遗忘只是记忆其中一种方式。

当天分手，他和她各行各路。十四个寒暑之后，大家已忘了离别的过程。记忆，是如此不可靠；遗忘，保护了要守卫的心灵价值，但也为重塑和修补创造了条件。从旧侣的真实访问开始，彼此错摸的思絮掀动了层层叠叠的图像，记忆之浪随而翻起，同时催生下一波图像。冰湖、船坞、森林、美术馆⋯⋯地域此去彼来，留下的足迹掺杂矛盾的线索。翻开无言的诗篇，乃觉你中有我，我中有你。遗忘并非记忆的对立，而是相反，没有遗忘的记忆，遗忘只是记忆其中一种方式。

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.